EVALLYO VIOLETTA DMITRIEVNA / ЭВАЛЛЬЕ ВИОЛЕТТА ДМИТРИЕВНА. (2018). the multi-screen aesthetics in the animated cartoons of soviet artists / полиэкранная эстетика в мультипликации советских художников. Nauka Televideniâ (Online), 14.3, 168-189. https://doi.org/10.30624/1994-9529-2018-14.3-168-189 The essence of multi-screen technology is segmentation, but paradoxically, it unifies and juxtaposes objects and space, and produces new ways of interacting. The multi-screen technology reflects the spatial location structure of the protagonist and the social space map of the hero, which helps to depict the characters in more detail and smoothly introduce the other protagonists. In this article, the author introduces for the first time the animated film "Istoriya odnogo prestupleniya" (" The Story of a Crime ") and Feodor Khitruk's "Film, Film, Film", "Lisa i zayats" [" Fox and Rabbit "] by Yuri Norstein, and "Kontakt" [" Con...