LBP

重点分析电影空间和时间与精神疾病之间建立的关系（ Serrano，2015 ）。 时空的展现是电影中非常有趣的部分。创作者通过对于屏幕中时空的解构来构建一个精神疾病患者所感受到的世界，从而跨越认知的鸿沟，在视听上达成与观众的通感。 让动画遇到一种模糊的真人动作，尝试所有特殊的特效，用模糊的记忆和不清晰的时间流逝来分割故事 ——这些都是方便的工具 （ Robinson，2021） 。创作者破坏了传统的动画电影的视听叙事以及真人电影的镜头语言，将观众拉入如新生儿童一般的语言学习环境——电影语言，通过重复画面，强调色彩和不断变换的特效来破坏“秩序”或者说正常世界的时空感知方式。 Focus on the relationship established between cinematic space and time and mental illness (Serrano, 2015). The presentation of time and space is a very interesting part of the movie. Through the deconstruction of time and space on the screen, the creator constructs a world felt by patients with mental illness, thus crossing the cognitive gap and achieving a common sense with the audience in audio-visual. Having the animation encounter a vague live-action, experimenting with all the special effects, splitting the story with fuzzy memories and unclear time passage - these are all handy tools (Robinson, 2021). The creators destroy the audio-visual narration of traditional animated films and the lens lang...