LBP

Editing idea · Slow narrative pace · Reduce camera cuts · Try to use synchrony · Differences in radio dubbing style and character presentation · The color palette is blue, which sets off the character and living environment Insufficient The lighting is not good, the suitable site is not found, and the overall mirror space is limited. property 

 EVALLYO VIOLETTA DMITRIEVNA / ЭВАЛЛЬЕ ВИОЛЕТТА ДМИТРИЕВНА. (2018). the multi-screen aesthetics in the animated cartoons of soviet artists / полиэкранная эстетика в мультипликации советских художников. Nauka Televideniâ (Online), 14.3, 168-189. https://doi.org/10.30624/1994-9529-2018-14.3-168-189 The essence of multi-screen technology is segmentation, but paradoxically, it unifies and juxtaposes objects and space, and produces new ways of interacting. The multi-screen technology reflects the spatial location structure of the protagonist and the social space map of the hero, which helps to depict the characters in more detail and smoothly introduce the other protagonists. In this article, the author introduces for the first time the animated film "Istoriya odnogo prestupleniya" (" The Story of a Crime ") and Feodor Khitruk's "Film, Film, Film", "Lisa i zayats" [" Fox and Rabbit "] by Yuri Norstein, and "Kontakt" [" Con...

2024/3/13 00:47 Celtx - Script My Project about:blank 1/5 Golden Ticket By Kewei Liu Fiction Film Phone:44-7909586077 Email: 2886351L@student.gla.ac.uk 2024/3/13 00:47 Celtx - Script My Project about:blank 2/5 ACT I FADE IN ： INT. UNDERGROUND LIVING ROOM - DAY FORG, a Toy salesman, 29, the frog wakes up from the bed and turns off the alarm clock, and the TV screen is buzzing with snowflakes. The frog pushes aside the small frogs piled on his body, gets up from the bed, picks up the water glass and toothbrush on the floor to wash up, and adjust the TV antenna by the way. INT. UNDERGROUND BATH ROOM - DAY While the frog is washing, frog hears an advertisement on TV - Golden Ticket. INT. OUTSIDE OF THE ROOM DOOR - DAY The doorbell rang, and the frog opens the door with a toothbrush in his mouth. The courier carrying a large package of express delivery handed the frog a parcel. Courier (quickly): Sir, is it D109? I'm very sorry that the signal here is not good and I can't get th...

  1.  Film Title: Golden Ticket   2.  Logline ： The impoverished frog discovers that the wrong delivery is the golden ticket to his wish seen on television today.   3.  Synopsis ： Genre :   Fiction Setting: Following the end of covid-19, the economic downturn has made it difficult for many people to maintain a normal life, including the protagonist - the frog. Until one day, Frog hears an advertisement on TV about golden tickets... Story Summary: One day, after getting up, Frog received a wrong delivery. When he was about to return the package, the director behind the film was not satisfied with the ending and decided to change Frog's script. Thus, in the movie world, the frog hears an advertisement about the golden ticket on TV at the moment of returning the delivery. As long as he gets the golden ticket, he may be able to get out of his current poor living conditions. Finally, the frog opened the express and took the golden ticket on the way to redee...

 1. Determine the main story: Before writing the script, clarify the core and theme of the main story, focus on the main plot, and avoid distracting and adding unnecessary scenes and plots. 2. Trim subplots: Review subplots in your script to make sure they are directly related to the main story and contribute substantially to the story and character development. If an episode does not do this, consider deleting or incorporating it into other episodes. 3. Eliminate redundant scenes: Review every scene in the script to make sure that every scene is critical to the development of the story and the development of the characters. If a scene does not do this, consider removing it or merging its contents into other scenes. 4. Simplify the dialogue and action: In the script, try to simplify the dialogue and action, only retain the necessary information and action, avoid excessive description and lengthy dialogue, in order to maintain the compact and efficient narrative. 5. Use symbols and ...

  Rosenthal, A., & Eckhardt, N. (2016). Writing, directing, and producing documentary films and digital videos (Fifth ed.). Southern Illinois University Press.   Narration has a certain dictatorial power, leading the audience to passive thinking and participation, weakening its initiative. In movie narration, the use of the second person can make the movie more powerful. Second-person narration can interact with the audience and have a sense of dialogue, so as to better guide the audience into the world constructed by the narration. 旁白拥有一定的独裁的力量，带领观众进行被动的思考与参与，减弱其主动性。在电影旁白中，使用第二人称可以使电影拥有更加强大的力量。第二人称的旁白可以与观众产生互动，拥有对话感，从而更好地引导观众沉浸到旁白所构建的世界里。   Cinema is born of a burning passion to tell interesting, dynamic, interesting stories about the human condition. 电影产生于一种燃烧的激情，想要讲述一些有趣的，有活力的，关于人类状况的有趣故事。     de, L. T., & Barradas, J. N. (Eds.). (2015). Slow cinema. Edinburgh University Press.       Flanagan, Matthew (2008), ‘ Towards an Aesthetic of S...

重点分析电影空间和时间与精神疾病之间建立的关系（ Serrano，2015 ）。 时空的展现是电影中非常有趣的部分。创作者通过对于屏幕中时空的解构来构建一个精神疾病患者所感受到的世界，从而跨越认知的鸿沟，在视听上达成与观众的通感。 让动画遇到一种模糊的真人动作，尝试所有特殊的特效，用模糊的记忆和不清晰的时间流逝来分割故事 ——这些都是方便的工具 （ Robinson，2021） 。创作者破坏了传统的动画电影的视听叙事以及真人电影的镜头语言，将观众拉入如新生儿童一般的语言学习环境——电影语言，通过重复画面，强调色彩和不断变换的特效来破坏“秩序”或者说正常世界的时空感知方式。 Focus on the relationship established between cinematic space and time and mental illness (Serrano, 2015). The presentation of time and space is a very interesting part of the movie. Through the deconstruction of time and space on the screen, the creator constructs a world felt by patients with mental illness, thus crossing the cognitive gap and achieving a common sense with the audience in audio-visual. Having the animation encounter a vague live-action, experimenting with all the special effects, splitting the story with fuzzy memories and unclear time passage - these are all handy tools (Robinson, 2021). The creators destroy the audio-visual narration of traditional animated films and the lens lang...