Production process

After drawing up the shooting plan, the equipment and venue were borrowed on December 6, the shooting was completed on December 7 and December 8, and the editing was completed on December 9 and 10.

So crazy












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Production record

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Editing idea · Slow narrative pace · Reduce camera cuts · Try to use synchrony · Differences in radio dubbing style and character presentation · The color palette is blue, which sets off the character and living environment Insufficient The lighting is not good, the suitable site is not found, and the overall mirror space is limited. property 
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script

2024/3/13 00:47 Celtx - Script My Project about:blank 1/5 Golden Ticket By Kewei Liu Fiction Film Phone:44-7909586077 Email: 2886351L@student.gla.ac.uk 2024/3/13 00:47 Celtx - Script My Project about:blank 2/5 ACT I FADE IN ： INT. UNDERGROUND LIVING ROOM - DAY FORG, a Toy salesman, 29, the frog wakes up from the bed and turns off the alarm clock, and the TV screen is buzzing with snowflakes. The frog pushes aside the small frogs piled on his body, gets up from the bed, picks up the water glass and toothbrush on the floor to wash up, and adjust the TV antenna by the way. INT. UNDERGROUND BATH ROOM - DAY While the frog is washing, frog hears an advertisement on TV - Golden Ticket. INT. OUTSIDE OF THE ROOM DOOR - DAY The doorbell rang, and the frog opens the door with a toothbrush in his mouth. The courier carrying a large package of express delivery handed the frog a parcel. Courier (quickly): Sir, is it D109? I'm very sorry that the signal here is not good and I can't get th...
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multi-screen film（PIP）， Greenaway and Brechtian cinema

 EVALLYO VIOLETTA DMITRIEVNA / ЭВАЛЛЬЕ ВИОЛЕТТА ДМИТРИЕВНА. (2018). the multi-screen aesthetics in the animated cartoons of soviet artists / полиэкранная эстетика в мультипликации советских художников. Nauka Televideniâ (Online), 14.3, 168-189. https://doi.org/10.30624/1994-9529-2018-14.3-168-189 The essence of multi-screen technology is segmentation, but paradoxically, it unifies and juxtaposes objects and space, and produces new ways of interacting. The multi-screen technology reflects the spatial location structure of the protagonist and the social space map of the hero, which helps to depict the characters in more detail and smoothly introduce the other protagonists. In this article, the author introduces for the first time the animated film "Istoriya odnogo prestupleniya" (" The Story of a Crime ") and Feodor Khitruk's "Film, Film, Film", "Lisa i zayats" [" Fox and Rabbit "] by Yuri Norstein, and "Kontakt" [" Con...
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